Denmark has once again stepped into the international spotlight with its official submission for the Best International Feature Film at the Oscars—Magnus von Horn’s evocative *The Girl With the Needle*. Centered around the harrowing journey of two women grappling with the consequences of lost stability in post-World War I Copenhagen, the film provides not just a narrative, but a haunting reflection on societal margins. Starring Vic Carmen Sonne as Karoline and Trine Dyrholm as Dagmar, the film interweaves elements of a dark fairytale with the shocking realities of a notorious murder case that looms over Denmark’s history.
Von Horn’s approach to storytelling blends poetic visuals with a grittier narrative, illustrating the intersection of survival and moral ambiguity in a time of crisis. The film exemplifies how art can capture the fragility of human existence, especially when paired with historical context. By setting the stage in the aftermath of one of the world’s deadliest conflicts, *The Girl With the Needle* speaks to themes of loss, abandonment, and the desperate measures that individuals will take in pursuit of hope.
At the heart of the tale lies the relationship between Karoline and Dagmar, both women embodying resilience yet bound by circumstance. Initially, Karoline’s situation is bleak; she faces unemployment and an unexpected pregnancy, which starkly reflects the plight of countless souls in post-war society. Dagmar, on the other hand, represents a glimmer of hope, running an underground adoption service that facilitates a complex system of fostering children. Their connection deepens as Karoline takes on the role of a wet nurse, a decision that creates room for intimacy but also unveils tragic truths.
The film’s exploration of their relationship sheds light on the societal pressures that define women’s roles, particularly in desperate times. Karoline’s journey becomes a poignant commentary on maternal instincts, societal judgment, and the sacrifices made for survival. As the narrative unfolds, viewers witness the fragile ties between compassion and complicity, emphasizing that noble intentions may sometimes lead to devastating revelations.
With an enthusiastic reception at the Cannes Film Festival, where it debuted in competition, *The Girl With the Needle* seems poised to carve its path towards Oscar recognition. The film’s selection by Jacob Neiiendam and the Danish Oscar Submitting Committee underscores its standing as a formidable contender. The unanimous choice speaks volumes about the film’s artistic merit and its ability to resonate deeply with universal themes of struggle and resilience.
Moreover, this marks von Horn’s return to Danish-language filmmaking, adding a layer of significance to the production. His previous works have been recognized for their depth and emotional complexity, and *The Girl With the Needle* continues that legacy. As the theatrical release approaches, celebrated by a global audience via MUBI starting on December 6, expectations are rising. The Match Factory’s involvement in world sales further amplifies excitement surrounding its potential impact on international cinema.
Given Denmark’s history of success in this category—having previously celebrated victories with films such as *Another Round* and *Babette’s Feast*—the anticipation for *The Girl With the Needle* is palpable. With its haunting narrative, complex characters, and historical significance, von Horn’s film presents a luminous opportunity for the international film community to engage with a story that transcends its grim origins. In a world constantly faced with turmoil, the film serves as a poignant reminder of the enduring spirit of humanity, navigating the turmoil left in the wake of war and personal sacrifice.
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