The release of *Joker: Folie à Deux* has sparked significant debate among critics and audiences alike, continuing the discourse surrounding the original 2019 film. Following its theatrical premiere, comedian Tim Dillon, who played a minor role as an Arkham Asylum guard, characterized the sequel as “the worst film ever made.” His candid remarks during an appearance on *The Joe Rogan Experience* not only reflect his personal experience but also shine a light on the growing sentiment that the sequel has diverged uncomfortably from its predecessor’s gritty and thought-provoking essence.
Dillon suggests that the film’s pivot towards a more flamboyant and musical approach, featuring prominent performances by Joaquin Phoenix and Lady Gaga, may have alienated parts of its audience. He theorizes that the creators of the sequel reacted to criticisms leveled against the original, which was accused of appealing to troubling aspects of male rage and nihilism. This perceived shift towards a more light-hearted presentation—complete with tap dancing—has left some viewers puzzled regarding the film’s core message and thematic coherence. Dillon’s observations about the lack of a clear plot echo the frustration shared by several critics, who expected a more structured narrative following the escapades of Arthur Fleck.
The financial trajectory of *Folie à Deux* is starkly contrasting with that of its predecessor, which grossed over $1 billion and garnered critical acclaim, including two Academy Awards. To date, the sequel has struggled, only managing to secure about $204 million globally, raising concerns about its viability. Noteworthy industry figures, including director Paul Schrader and comedian Bill Maher, have publicly voiced their disdain for the film. This critical disapproval highlights a significant disconnect between what some viewers admired about the original and the creative choices made in its sequel.
While many have condemned the sequel, not all voices are negative. Dreamlike aspirations of a strange cult status were put forth by video game designer Hideo Kojima, who speculated that the film might find its audience over the coming decades. Furthermore, acclaimed director Quentin Tarantino offered a defiant defense, praising Phillips for challenging Hollywood norms and the audience’s expectations. Tarantino’s perspective introduces the idea that the film’s unconventional nature may yet resonate with niche audiences that appreciate its avant-garde style.
As *Joker: Folie à Deux* continues its run, the conversation surrounding it is as diverse as its reception. With ardent criticism coming from voices embedded within the entertainment industry, alongside a few supporters who appreciate its bold departure from the norm, the sequel represents a contentious chapter in modern cinema. Whether it will be remembered as a failure or an overlooked gem remains to be seen, but the film undeniably encapsulates the complexities of artistic expression amid divided audience expectations.