Front-of-house workers at renowned West End theatres have voiced their concerns about the deteriorating behavior of audiences, citing a surge in assaults and abuse. In stark anonymity, these employees shared disheartening anecdotes of drunken spectators projectile vomiting during performances, the discovery of used condoms in the stalls, and instances where ambulances were called to tend to injured audience members after violent altercations. The prevalent sentiment among these workers is that some top management prioritize profit over the safety of their staff and attendees. This article delves into the alarming grievances voiced by theatre employees who have seen an unwelcome change in the atmosphere following the COVID-19 pandemic.
One theatre worker, who preferred to remain nameless due to the fear of job security, shed light on how his passion for theatre has transformed into an untenable situation. Sharing a distressing incident, he recounted a friend’s experience of being punched in the face by a significantly larger man, resulting in her physical and emotional trauma. The worker himself was also a victim of assault by an impertinent latecomer who refused to understand the need to wait for an appropriate moment before being seated. Despite security intervention, the offender was allowed to remain for the show. Tragically, such incidents have become all too familiar in the West End, leaving employees feeling shaken and undervalued.
Interviewees consistently highlighted the recurring problem of intoxicated and disrespectful audience members. Observations revealed that jukebox musicals, which often cater to stag and hen parties, tend to witness a higher frequency of such incidents. The marketing of these productions as “raucous nights out” attracts large crowds driven by post-lockdown exuberance and the availability of bar offers. Consequently, theatre staff find themselves burdened with bag checks, ticket verification, and the arduous task of ushering patrons to their seats as they prioritize a visit to the bar. Bar staff often bear the brunt of customers’ belligerence, a deplorable reality that cannot be overlooked or dismissed.
One poignant example shared by a theatre worker encompassed the alarming indifference exhibited by audience members when confronted about their disruptive behavior. After receiving multiple complaints about noise and vaping, the staff member confronted the offender, only to receive a nonchalant response of “So what?” This anecdote underscores the concerning lack of empathy and understanding displayed by some individuals attending theatrical performances.
Renowned musical composer Stephen Schwartz, drawing from his extensive experience in the industry, lamented the growing problem of mobile phone usage during shows. He expressed frustration at patrons choosing to engage with their phones rather than fully immersing themselves in the theatrical experience. Mr. Schwartz advocates for a return to basic theatre etiquette, urging those distracted by their devices to step outside the auditorium and allow others to enjoy the performance undisturbed.
A recent survey conducted by BECTU, the theatre union, shed light on the staggering prevalence of disruptive behavior witnessed by theatre staff. Out of the 15,000 respondents, a staggering 90% reported regularly encountering misconduct, leading to half of them contemplating leaving their jobs. Philippa Childs, the head of BECTU, expressed her astonishment at the “incredible” stories shared by respondents, detailing threats of violence and personal attacks faced by theatre employees. Urging theatres to prioritize staff protection, Ms. Childs emphasized the need for action and intervention.
While acknowledging the financial pressure on theatres to recoup losses incurred during COVID-19 lockdowns, Ms. Childs warned against accommodating inebriated audiences. Encouraging a responsible approach, she stressed the importance of ensuring that theatres do not inadvertently contribute to disruptive behavior by facilitating excessive drinking.
The revival and preservation of the enchanting experience of live theatre must not be overshadowed by the growing disregard for fellow audience members and theatre staff. By restoring the principles of theater etiquette, curbing alcohol-related incidents, and taking swift action against disruptive behavior, the West End can regain its reputation as a bastion of culture and refinement. It is the responsibility of theatre enthusiasts, audiences, and management alike to collaborate in eliminating the epidemic of anti-social behavior that threatens the heart and soul of the West End theatrical tradition.
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